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FRANCK, C.CHAUSSON

FRANCK, C.: Symphony in D Minor / CHAUSSON, E.: Symphony in B-Flat Major (Rundfunk-Sinfonieorchester Berlin, Tingaud) César Franck’s only symphony came at a time when the French music world was seeking to rival the great Austro-German tradition. The ‘darkness-to-light’ narrative of the Symphony in D minor owes a debt to Beethoven and there is a unique power within its distinctive themes, innovative cyclic form and general gravitas. Franck’s student Ernest Chausson was no doubt inspired by his teacher’s thematic metamorphoses, but the anguished influence of Wagner is also ever present. The published score of the Symphony in B flat major includes many errors which conductor Jean-Luc Tingaud has meticulously corrected after careful study of Chausson’s autograph manuscripts. [edgtf_button...

POULENC, F.

Biches Suite (Les) / Les animaux modèles Suite / Sinfonietta (Ireland RTÉ National Symphony, Tingaud) Poulenc wrote two ballets, the suites from which feature on this recording. Fusing together musical styles from various periods and genres enabled him to construct the largely plot-free narrative of Les Biches, a sequence of captivating dances that explore many themes which were considered taboo at the time. In Les Animaux modèles, Poulenc transforms the animals of La Fontaine’s fables into human characters in a patchwork score brimming with colour, wit and self-borrowings. The Sinfonietta is playful and light-hearted. [edgtf_button size="" type="outline" text="ALBUM REVIEW" custom_class="" icon_pack="font_awesome" fa_icon="" link="https://www.naxos.com/Review/Detail/?catalogueid=8.573739&languageid=EN" target="_self" color="" hover_color="" background_color="" hover_background_color="" border_color="" hover_border_color="" font_size="" font_weight="" margin=""] ...

SPONTINI, G.

Fernando Cortez, ou La conquête du Mexique [Opera] (Schmunck, Voulgaridou, Fiorentino Maggio Musicale Chorus and Orchestra, Tingaud) [edgtf_button size="" type="outline" text="ALBUM REVIEW" custom_class="" icon_pack="font_awesome" fa_icon="" link="https://www.naxos.com/Review/Detail/?catalogueid=CDS7868.03&languageid=EN" target="_blank" color="" hover_color="" background_color="" hover_background_color="" border_color="" hover_border_color="" font_size="" font_weight="" margin=""]...

DONIZETTI, G.

Ange de Nisida (L') [Opera] (Sempey, Lorenzi, Konu Kim, Fridman, Benetti, Donizetti Opera Choir and Orchestra, Tingaud) </br> [edgtf_button size="" type="outline" text="ALBUM REVIEW" custom_class="" icon_pack="font_awesome" fa_icon="" link="https://www.naxos.com/Review/Detail/?catalogueid=CDS7848&languageid=EN" target="_self" color="" hover_color="" background_color="" hover_background_color="" border_color="" hover_border_color="" font_size="" font_weight="" margin=""]  ...

ROSSINI, G.

Siege de Corinthe (Le) [Opera] (Regazzo, Cullagh, Spyres, Sala, Ramos, Poznan Camerata Bach Choir, Virtuosi Brunensis, Tingaud) Rossini adapted his own Italian opera of 1820, Maometto, for the Parisian stage under the title of Le Siège de Corinthe. As Rossini’s original work had already absorbed distinctive French characteristics such as heroic arias, and characterisation through orchestral colour, the newly composed music for the reworking makes for a powerful and compelling operatic tour de force. With its historical subject matter and tragic ending, Le Siège de Corinthe anticipates the advent of grand opera. [edgtf_button size="" type="outline" text="ALBUM REVIEW" custom_class="" icon_pack="font_awesome" fa_icon="" link="https://www.naxos.com/Review/Detail/?catalogueid=8.660329-30&languageid=EN" target="_blank" color="" hover_color="" background_color="" hover_background_color="" border_color="" hover_border_color="" font_size="" font_weight="" margin=""] ...

MASSENET

Werther (1901 Baritone version)  ...

INDY, V. d’

Symphony No. 2 / Souvenirs / Istar (Royal Scottish National Orchestra, Tingaud) Vincent d’Indy is one of the most important yet neglected figures in French musical history. Though he was celebrated as a teacher, his eclectic yet inventive orchestral music has taken longer to secure him fame. The Symphony No. 2 in B flat major has a powerful architectural design within which tensions between tradition and innovation are played out, and through which the composer draws on folk motifs and his religious faith alike. The powerful, grief-laden symphonic poem Souvenirs was dedicated to the memory of his late wife whilst Istar is a majestic series of variations. The Prelude to Fervaal, his first opera, reveals atmospheric Wagnerian writing. [edgtf_button size="" type="outline" text="ALBUM REVIEW"...

FRANCK, C.

Psyché (version for choir and orchestra) / Le Chasseur maudit / Les Éolides (RCS Voices, Royal Scottish National Orchestra, Tingaud) César Franck was a childhood prodigy who gained later renown as an organist and teacher. His compositions received scant attention until the success of Le Chasseur maudit, a symphonic morality tale that vividly portrays the ‘accursed huntsman’ from his defiance of the Sabbath to a dramatic chase and a horrific fate. Les Éolides is infused with Wagnerian colours and depicts the mythological Aeolids as they reawaken nature with their song. Franck’s lushly orchestrated final symphonic poem Psyché expresses the power of love in dreams and a passionate union. [edgtf_button size="" type="outline" text="ALBUM REVIEW" custom_class="" icon_pack="font_awesome" fa_icon="" link="https://www.naxos.com/Review/Detail/?catalogueid=8.573955&languageid=EN" target="_blank" color=""...

DUKAS, P.

Symphony in C Major / L'apprenti sorcier / La Peri (Ireland RTÉ National Symphony, Tingaud) Paul Dukas is famed for his brilliant, meticulously scored symphonic scherzo The Sorcerer’s Apprentice, first performed in 1897, which almost immediately entered the international repertoire. It was subsequently the focus of a ballet and later Walt Disney’s film Fantasia. Magical scoring is also a feature of La péri, a poème dansé of great imaginative verve. The delightful, colourful Symphony in C was composed mid-way between these works. For this recording, manuscript sources for the three works were consulted, including the hitherto private proofs of the first edition of The Sorcerer’s Apprentice, ensuring rigorously faithful performances. [edgtf_button size="" type="outline" text="ALBUM REVIEW" custom_class="" icon_pack="font_awesome" fa_icon="" link="https://www.naxos.com/Review/Detail/?catalogueid=8.573296&languageid=EN" target="_blank" color="" hover_color="" background_color=""...